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Emerald Frames & Gallery
Home
About
Picture Framing
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Ali Mackie - Artist in Residence
Josie Clouting - Artist in Residence
Catherine Hammerton - Artist in Residence
Jacqueline Ford - Guest Artist
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Folder: Framing
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Emerald Gallery Shop › Relic: Dabberlocks 3 By Portia Knight - Framed Edition
Relic: Dabberlocks 3. Portia Knight. Seaweed Art. Cameraless polymer photogravure Image 1 of 3
Relic: Dabberlocks 3. Portia Knight. Seaweed Art. Cameraless polymer photogravure
Relic: Dabberlocks 3. Portia Knight. Seaweed Art. Cameraless polymer photogravure Image 2 of 3
Relic: Dabberlocks 3. Portia Knight. Seaweed Art. Cameraless polymer photogravure
Relic: Dabberlocks 3. Portia Knight. Seaweed Art. Cameraless polymer photogravure Image 3 of 3
Relic: Dabberlocks 3. Portia Knight. Seaweed Art. Cameraless polymer photogravure
Relic: Dabberlocks 3. Portia Knight. Seaweed Art. Cameraless polymer photogravure
Relic: Dabberlocks 3. Portia Knight. Seaweed Art. Cameraless polymer photogravure
Relic: Dabberlocks 3. Portia Knight. Seaweed Art. Cameraless polymer photogravure

Relic: Dabberlocks 3 By Portia Knight - Framed Edition

£225.00

Cameraless polymer photogravure

My prints are formed through direct contact between Dabberlocks and the photogravure plate, with ultraviolet light passing through the pressed fronds. The varying density of the seaweed determines the tonal range of the print, registering translucency, thickness, and edge as shifts in depth. The resulting images read as material impressions rather than representations—records of contact in which organic form is translated through light and pressure.

In Relic, Dabberlocks is gathered as drift and treated as excavated material—already displaced, already marked by passage. Preserved through contact with the plate, the seaweed appears as recovered surface rather than specimen. The series adopts an archaeological mode of looking, attending to trace, residue, and the partial survival of form.

  • Medium: print - edition of 10

  • Framing: White Contemporary Frame with Artglass

  • Authenticity: signed and editioned

    This print is available to view in person at Emerald Frames & Gallery, Chalfont St Peter. Contact us to arrange a viewing.

Cameraless polymer photogravure

My prints are formed through direct contact between Dabberlocks and the photogravure plate, with ultraviolet light passing through the pressed fronds. The varying density of the seaweed determines the tonal range of the print, registering translucency, thickness, and edge as shifts in depth. The resulting images read as material impressions rather than representations—records of contact in which organic form is translated through light and pressure.

In Relic, Dabberlocks is gathered as drift and treated as excavated material—already displaced, already marked by passage. Preserved through contact with the plate, the seaweed appears as recovered surface rather than specimen. The series adopts an archaeological mode of looking, attending to trace, residue, and the partial survival of form.

  • Medium: print - edition of 10

  • Framing: White Contemporary Frame with Artglass

  • Authenticity: signed and editioned

    This print is available to view in person at Emerald Frames & Gallery, Chalfont St Peter. Contact us to arrange a viewing.

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